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After having spent his earliest years in the Seychelles, Sabre moved to the UK in 1989. Reaching his early teens, he found a passion for Hip-Hop and turntablism, and equipped himself as a bedroom DJ. The subsequent vinyl addiction was cemented by the arrival of Jungle Era, and overwhelmed by the richness of the music, Sabre started to purchase the occasional release, and eventually switched focus away from Hip-Hop entirely in the late 90s with the arrival of more futuristic, industrial sounding drum and bass, from artists like Future Forces, Photek, Teebee and DJ Trace. "At that point going to shows and making a home on the dancefloor were a big part of my life, and my musical focus was creating music that catered to that arena, it was the Hip-Hoper in me coming through. But soon with drum and bass, I knew my real target was to get scientific with my music. That late 90s era was uniquely inspirational."
By the millennium, pirate and internet radio stations such as UK Rumble and Rude FM had began supporting the young DJ, and with hopeful ambitions emerging on a career in music, the inevitable experimentation with music production had begun, with artists of the day such as Jonny L, Ed Rush & Optical and Kemal all providing a blueprint to work to. But parallel to modern techstep influences came the borrowed 'sampling ethic' of the Hip-Hop greats such as Premier, Diamond D, RZA and DJ Muggs. "Still perhaps the most exciting era of my life, around 2002-2004 when I started to first find support in this music, mingle with people who had been my heroes for years, finally knowing that I had a niche and a following, which is all I really wanted."
In the years since those first opportunities, Sabre’s grown to emerge as a global DJ with residencies across Europe, and secured releases and remix work for labels including Metalheadz, Renegade Hardware, Critical and Shogun. Spanning many styles, this initially dancefloor-orientated catalog has since evolved itself towards a more minimal and experimental outlook, resulting in 2007 with a commission from Capitol films to contribute toward the film score for the Tony Kaye feature 'Black water Transit'. The view looking to the future is spread across the musical and multimedia spectrum. "Writing A Wandering Journal has been liberating beyond expression. Its a project I've had developed and hibernating for so long that looking back, I know that if it'd been left any longer it wouldn't have been realised to its true potential. All the unwritten details of the concept and the loose narrative would have faded in my mind. Creating it when I did, whilst the concept was still strong in my mind, and my musical output was amongst the most free-spirited of my career was perfect timing. And its spurned me on to be even more ambitious with what I create in the future.
I have to approach a new frontier now that this album is complete, and the current multimedia landscape is the perfect playground in which to elaborate on what I stand for creatively."
Following an invitation from the crew to come perform in their hometown of Groningen, Sabre joined Noisia in their studio to collaborate on what would eventually become 'Quarters'. A Chance encounter with Icicle at the airport meant the 4 cook kitchen became 5, and a solid weekend of studio time was setup. 'Quarters' was amongst the first tracks to be written for "A Wandering Journal" and its tribal quality served as one of the primary beacons around which the albums identity was sculpted. It serves as a dark prelude of what's to come; rich in tension in its peak, hugely hypnotic in its troughs... Check out Noisia at: www.myspace.com/denoisia
Currently recruited to DJ Friction's Shogun Audio and fresh following the completion of his own debut LP project, the young Belgian is beginning to unleash his own take on the ever evolving experimental angles within drum and bass, an ethic that's certainly true of 'Javelin', the first of his two collaborations to feature on 'A Wandering Journal'. Perhaps the most sinister track on the album, 'Javelin' is best described as creepy, unsettling bass workout layered with sparse percussion and hammer horror cinematics. In direct contrast comes 'Have it your way', the second collaboration with Perez on the album which is a sultry, mellow, down tempo number. Rich in influences from UK Garage and dub-techno... Check out Alix Perez at: www.myspace.com/alixperez
Originally from Eindhoven, this recent migrant to London has had Sabre's support since the early days, with his tracks making a huge impact on the DJ's playlist for many years now. In this, their third collaboration together, the two joined forces with another dutch outfit, Noisia, thanks to a chance encounter. The result was 'Quarters', a fusion between Sabre's experimental style of arrangement, Icicle's mastery of all things low frequency and Noisia's precision with sound design... Check out Icicle at: www.myspace.com/iciclednb
A long time resident at Cardiff's Aperture club night, Rockwell attended university in Bristol before arriving in North London. In the 6 short years since his initial exposure to Drum and Bass, Rockwell has made swift progress in securing a reputation for thought provoking, textural music that embraces the roots of jungle, digital futurism, and detailed experimentation with careful balance. It's a pleasure to welcome him onboard to provide the club mix of the albums title track, 'A Wandering Journal'. The reworking sees the haunting, unsettling nature of the original composition evolved into crunchier dancefloor excursion, punctuated by flurries of detailed percussion and subtle ambience; all bedded above a corridor of weighty bass and crisp, tight breakbeats... Check out Rockwell at: www.myspace.com/rockwelldnb
The result has been a flawless stream of early releases all embodying a highly authetic revival of the mid 90s techstep style. The shared love of artists of artists from that era such as Kemal, Ed Rush & Optical, Jonny L, Photek & Teebee served as an ideal platform to collaborate with Sabre, and the fruits of this labour; a track entitled 'Barefoot' features on the LP Sampler. A familiar mix of styles favoured by both artists, Barefoot is the essential tribute to the coveted '98' sound. Characterised by its robotic, almost speech like bassline, the track takes the core canvas and elaborates with moments of techno inspired, bleepy synthesis to maximise its bleak, industrial underbelly... Check out Ulterior Motive at: www.myspace.com/theulteriormotive
First meeting as budding producers during high school days, Maxwell and Sabre have collaborated on numerous projects over the years including a white label DIY record company that featured the very first releases from either artist. In their first work to feature Maxwell's lyrical talents, the pair have created 'Levelling out', a descriptive reportage of the encounters faced in this tale's plotline. Set over a 'sci-fi meets krunk' backbeat, Maxwell's distinct lyrical tone describes and intricately details the factors at work in the story's setting, the dank, unwelcoming wilds of the African wilderness. Maxwell has also lent his theatrical skills to project, voicing the interludes as the main character portrayed in the narrative. Check out Maxwell Golden at: www.myspace.com/maxwellpalmergolden |